FOUNDATION FOLIO TUTORIAL AND ESSAY DEADLINE

Please note the essay is due in on :


Draft : 11th December




Final :  Monday 14th December


Folio assessment is :


Tuesday 15th December         Apologies for date change

FOUNDATION DIPLOMA IN ART AND DESIGN EXPLORATORY STAGE

 

FOLIO MOUNTING

 

ASSESSMENT CRITERIA\EVIDENCE

 

Unit 3: Preparation and Progression in Art and Design

 

To achieve a pass grade the evidence must show that the learner is able to:

P1 research progression aims [IE]

P2 identify own progression aims in relation to known ambition [IE, CT]

P3 assemble materials to support appropriate progression [IE, SM]

P4 select work for own portfolio to support progression aims [SM, RL]

P5 prepare and organise work for portfolio [SM]

P6 present work using appropriate techniques and presentation skills. [CT]

 

 

During the next 4 weeks you will need to bring your work in for  2 tutorial points.  Lessons will continue as normal  and register for lessons.

 

• The first to select work
• The  second to arrange the chosen images for layout
• On Tuesday 15 December you will have a formal assessment.  You will be graded for this term’s work and must pass this in order to move onto the next stage of this course.  In order to pass this stage of the course your  folio  must show  coverage for all projects done this term
   
  We aim to create a  superb portfolio for your formal assessment point before Christmas and be ready for interviews in January.  For things to run smoothly we need you to be organised, punctual and thorough.
   
  TUTORIAL 1
   
  You will need:
   

• Posits – essential!
• pen and notepad
   
  We will help you choose images from:
   

• Foundation course work including sketchbooks
• A level Art , Photography, Textiles, Design Tech, Media studies etc.
   
   It is unlikely that AS work will be used if you took this to A2 but you can bring along selected work.  You can also submit other self motivated work.  Please make sure you have all this work together in advance of your tutorials (it is impossible to select it if you only have half your work.  Please do not expect the Art or Photography dept to be able to find your work at on the day of your tutorial, please find it in advance. 
  Be prepared to be asked to add/modify or finish work for inclusion within your folio work.  This will take time and it is in your interests to make sure these next 4 weeks are used effectively within lessons to complete or add to any coursework to make sure you will pass this term and maximise chances of acceptance at University.    
   
  All photography should be organised on one memory stick to show us all your work on. This means selecting the best 15 images per project rather than 150 .. This is both A2 photography and work produced for us.
  We will be deciding what size images are to printed to and what sketchbooks to include.
  IF YOU HAVE LARGE WORK, PHOTOGRAPH IT BEFORE YOUR TUTORIAL .  MAKE SURE YOU HAVE GOOD PHOTOGRAPHS OF DETAILS AND THE WHOLE to show us.
   
   During the first tutorial you will have work selected for your folio and you will need to scan(300) dpi and print out images.  These should be as good a quality as possible.  Some can be printed out on the roller copier in photography the rest can be printed on the colour copier in art.  There will be pressure on the scanners within IT so if you can come in early or stay late this is recommended.
   
  The following projects need to be located, labelled and organised for staff when we see them.  They should have your name on the front of sketchbooks   
   

• A2  work- Photography /Textiles/Design Tech/Art
• Gallery Review
• Stereotypes
• Intensive Drawing
• Typophillia- make sure all mock ups and final pieces are present and this is printed and constructed well
• Objects of Desire
• Bright Idea
• Narrative and Sequential – you need photos and edited films to show us
• Life Drawing
   

• Make sure all sketchbooks are named with project on the front This must be visible and easy to identify.  Georgie has the labels.
• Drawings should be ironed, fixed or flattened etc
  Expect the staff to quickly tell you what to do with the work.  Take on all advice and please carry out.  We are very experienced at doing this so trust us,  listen and act.
• You will need a pen and notepad to take down instructions at tutorial 1 and require A CAMERA to take a photo of the layout to remember at tutorial 2.
• All  Foundation work to date should be brought to this tutorial regardless of whether you have finished it completely or not.
   
  Anything else
   
  If you have anything else you are welcome to bring it in but we do not want to see GCSE work.  It is too long ago now but if you have anything you have done outside of college then we will have a look.
   
  TO MOUNT YOUR WORK
   
  You will need to make sure you have the following ready after your second tutorial:
   

• A A1 portfolio without rings
• 12 rolls of double sided tape  each
• 2 sheets of card Money for print credit.
• a sharp scalpel, preferably a surgical scalpel
• a metre ruler or straight edge
• Photo Mount (red top only) do not buy spay mount.  For photographers
   
   
  Week beg Monday 23 November
  Inset day Tuesday 24^th November no students in

• Students to be in tutorials see timetable.  Organise work and prepare for tutorials
• Essay to be set by Drew. 
• Life drawing on Wednesday 1pm-2.50 pm  for Fine art, Illustration, Animation students.  This is compulsory, interviewers will expect to see this in folios.
   
• Week beg Monday 30  November
   
• Essay with choices intro and one written to show Drew during this week.
• Life drawing on Wednesday . 
   
  Week beg Monday 7 December
   
• Second tutorials/Folios to be mounted.  Work in 2s helping each other to mount work.
• Life drawing on Wednesday
   
   
  •           ESSAY TO BE SUBMITTED ON MONDAY 14 TH DECEMBER.
  •           Completed 3000 word essay, bound, illustrated and presented with introduction, body of essay, conclusion, bibliography and sources listed.  This should be NAMED.  PLEASE NOTE YOU WILL ONLY PASS IF YOU HAVE THE ABOVE WITHIN YOUR ESSAY. 
   
  ASSESSMENT  TUESDAY  15 DECEMBER
   
  You need to make sure you are going to pass this to continue into the next term,  it is most important that you mount the existing work well.  This is a priority.  Selected work, mounted professionally and sketchbooks chosen should be submitted. Your folio should be clearly named.  If anyone is referred for this assessment they will be notified when collecting folios.  Please make sure you are all present for lessons during this week .
   

• There will be briefings and new timetable for all.
• Collect all folios to go home after assessment .  Folios must not stay at college over the Christmas break in case you get called for interview over the holidays or early in the New Year.  Any work left around studios must be cleared up as base rooms will move around next term and you may find work has been thrown away if it is not claimed. Clear drawers and belongings from studios.
   
  MARK - FIRST TUORIALS
  BRING POSTITS, PEN AND PAPER,  ALL WORK
   
  2^ND TUTORIAL WITH MARK- FOR MOUNTING AND PRESENTING.  PLEASE BRING ALL YOUR ENLARGEMENTS AND PRINT OFFS  (TRIM ALL WHITE EDGES) TO THIS SESSION AND MAKE SURE YOU HAVE A DIGITAL CAMERA TO  photograph your layouts
   
   
   
   

MONDAY 23 NOVAND 30 DEC	TUESDAY STAFF DEV 24 NOV  1st NOV	WEDNESDAY 25 NOVAND 2 DEC	THURSDAY 26 NOV AND 3 DEC	FRIDAY 27 NOV AND 4DEC
9.00 NATHANMTA ELLI E  CTH		9.00 EMILY MTA	9.00 ALEX  MTA ELIZA CTH	9.00  LIZMTA LOTTIE CTH
10.25 ESSAY SET DREW AND MARK			10.25  MARGARET  MTA DAVID CTH	10.25   DREW
11.25 ESSAY SET DREW		11.25 MATT MTA	11.25 FRAN MTA BETH CTH	11.25 DREW
		1 PM NADIA MTA PAIGE CTH
2.00 EDENMTA NINA CTH		2PM  CAMERONMTA	2 pm SIAN MTA	2PM JONATHAN MTH
			3.15 FRANKIE CTH

 

WEEK 3 CHECKLIST OF WHAT SHOULD BE DONE FOR ESPIONAGE 2

 BTEC 2^ND YEARS ESPIONAGE WEEK 3 

The good news is that this is the last project this term- you have just got to hand this in!!!!! 

 

 MINIMUM SUBMISSION REQUIREMENTS:

 

PLEASE REFER TO YOUR BRIEF FOR ALL OF THE BELOW.  YOU CANNOT PASS THIS PROJECT WITHOUT  FOLLOWING YOUR PROJECT BRIEF.

 

• Research of 2 book covers .  These should be analysed with questions answered in sketchbook a- j 

• Look at BAYER, BROWNJOHN, BRODY AND WARD and compare and constrast their work .  Please annotate and document.  Answer questions  in as much depth as possible.  Remember it is about how they use type. 

• Work in the style of these designers 1 responses each  

• 6 (A3) sides of initial research in sketchbook to include  written brainstorms,  google moodboard, 2  different storyboards planning for photos 

• 2 photographic shoots each containing  5-10 shots  

• 10 (A3) sides of development to include 2 varying ideas. This should include 2 pages of type experimentations and varying mock ups and  experimentations using  materials produced in workshops.   

• IT IS YOUR RESPONSIBILITY TO MAKE SURE YOU HAVE COVERED THESE WORKSHOPS IN FULL.  IF YOU HAVE BEEN ABSENT ,THEN YOU MUST TAKE STEPS TO COMPLETE  IN DIRECTED STUDY TIME.

• 5 pages of development that shows how you have developed your bookcovers with varying editions, changes, type experiments etc.

• 2 final ideas mocked up  and lots of development of the ideas with slight changes.  Covers can be using work from Spin 1 for one cover if you wish. 

• Complete  an in-depth  800 word evaluation  answering in as much detail as possible questions 1-12.   

Please make sure you have annotated your pages in great depth and make special reference to how you have used letterforms and jargon that these refer to.   If you want to pass then please follow evaluation sheet and have a look at the unit critieria for the unit headings. It is much easier this way to work out what you should write about.   

 

ARTIST RESEARCH SPIN 2

ARTISTS RESEARCH SPIN 2

All has been mailed to you but if you havn't yet done this then you are behind!  Please note you must compare and constrast otherwise you will not pass the criteria! :

HISTORICAL AND CONTEMPORARY TYPOGRAPHY

HISTORICAL

Herbert Bayer  (April 5, 1900 – September 30, 1985) was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect, who was widely recognized as the last living member of the Bauhaus

 Robert Brownjohn  (August 8, 1925-  August 1, 1970 )who was an American graphic designer known for blending formal graphic design concepts with wit and sixties pop culture. He is best known for his motion picture title sequences, especially From Russia with Love and Goldfinger. 

CONTEMPORARY

Neville Brody April 23, 1957 (age 58),  is an English graphic designer, typographer and art director. Neville Brody is an alumnus of the London College of Printing and Hornsey College of Art, and is known for his work on The  Face . 

Craig Ward  Born: August 1981 is a British-born, New York-based designer and art director primarily known for his pioneering typographic works and often scientific solutions to projects.

Find out about all the typographers and answer the following: P1,M1,D1, P2,M2,D2

·         What characterises their work and style, what are they known, famous for?

·          What fonts have they invented?

·         What are the differences between these practitioners .

·         Compare and contrast how typography has changed and moved onward within their work.  

·         Find out how typography has been put together in highly experimental ways for the time they were working. 

·         Document and analyse their work.

·         How do they use typography that is unconventional and experimental? 

·         What is the movement of Bauhaus and how does this  characterise the typography that Bayer produced?

·         Try to use words such as: italic,bold, sans serif, caps,lower and upper case, symbol, readability, distortion, displacement, weight of text.

·         Work in the style of each of these. 1 responses per designer

 

Herbert Bayer  1900 –  1985 HISTORICAL 

Herbert Bayer

 HISTORICAL  

Robert Brownjohn    1925- , 1970

 HISTORICAL

Robert Brownjohn

HISTORICAL

Robert Brownjohn

HISTORICAL

Neville Brody born 1958 58 yrs

 CONTEMPORARY

Neville Brody

CONTEMPORARY



Craig Ward

CONTEMPORARY

Craig Ward born 1981 age 34